Kirsten Wolf (ed.) 2007, ‘Anonymous Poems, Heilagra meyja drápa 5’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 894-5.
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Sæt Máría gjörði að gráta
This st. uses a variety of the echoing verse-form that Snorri Sturluson in Ht called iðurmælt ‘repeatedly said’ (SnE 1999, 22). Here the stressed syllable of the final word in l. 1 is repeated (though in a cognate, not the same, word) at the beginning of l. 2; l. 2’s aðalhending changes the stem while maintaining the rhyme, and the new lexeme begins l. 3; this format is repeated through the rest of the st., employing four rhymes in all. Note also that the st. comprises four apposed couplets, allowing the word-play, a type of adnominatio, to suggest a rapid sequence of significant events. This rhetorical ornamentation, which is very like some of the devices employed by the poet of Lil (cf. Foote 1982, 260-3), doubtless reflects the emotional intensity associated with the common medieval motif of Mary standing weeping at the foot of Christ’s Cross. See st. 36, whose subject is S. Margaret, for a similar display.
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